The picture shows the tunnel of light, created by Laservision. Photo; Toke Odin Brorsson
Did you ever think about how humans tend to adress human properties and behaviour to animals, things and phenomenons? Even on the web page of NASA you can read about how a supermassive black hole is “hungry” and “lurking on an innocent star which just happened to be in the wrong neighborhood”, devours everything and tears it into particles.
We’re all made up by particles. What if it’s us having quantum particle behaviour rather than the other way around? If so much else is build up in fractal systems – why not behaviour?
A factual description about entangled quarks sounds like a romantic description of loving someone. “Some particles gain more mass by interacting, while the mass of other particles diminish when interacting with others” – humans and social interaction. Quantum tunnling seems like a visualization from a sports or businesslife coach.
This is a play with thoughts.
As children we explore the world through play. We create imaginary universes so real we discover its physics and things we didn’t agree on before entering – because we enter with all our senses in a dead serious playful way. In these worlds we try ideas and perspectives, practice and have fun, get scared, upset, and then have fun again.
With the artistic collective The Event Horizon I’ve made a series of projects where I explore how quantum physical phenomenons and astrophysical phenomenons can be tried and portrayed onstage. It also aims to be a platform for researchers to look at things in a new perspective – a rather old platform, considering how art and science always have been pushing each other forward.
In the projects I mix digital technology with human encounters, and sometimes stimulation and deprivation of the senses of the audience, to create illusions of worlds and make room for interaction.
Here’s a presentation of the first project;
GRAVITATIONAL LENSING – an experimance by Maria Reihs and The Event Horizon.
Guest researchers from Lunds University; Leif Lönnblad – professor in theoretical physicist, and Alexey Brobeck – phd student in astrophysics.
“A wormhole appears in the bar. The Event Horizon will guide you into it, and maybe back again.
Human. Quark. Supermassive black hole – same same but different.”
Inkonst Malmö March 2013
The epos about the space gondolder Aniara by Harry Martinson ends with how the “wave of Nirvana” goes through the ship and everyone on it. In my version Nirvana meant crossing the event horizon of a supermassive black hole, and ending up in a bar in Malmö 2013, through a wormhole.
The pilot and other members from the Aniara are trying to find their way back to where they got off track and lost hope, and the audience helps them by entering the wormhole while being entangled, so the crew can keep track of their measures, and afterwards by doing galaxy analysing through Galaxy Zoo.
The barmaid – the pilot Isagel – is polishing wine glasses. She holds the glass foot up, shows you how the light is bent in it, and tells you how everyone has a black hole in their lives. You can’t see them with the naked eye, but you can see their effect, how the gravity bends and distorts the perception of things in connection to it.
By her on the counter is a flower that picks up information, and responds with sound when you interact with it (the box is hidden though).
The next character is the Mimarob, who interviews the audience before entering, gives them instructions, and entangles them so the crew can follow and measure their values while they’re inside the black hole.
“Question number 8. Do yo consider yourself as A. human B. space creature C. free alternative?
Question 9. On a scale between “high above the clouds” and “falling through the ground” – where would you describe yourself this moment?”
The Mimarob then draws a circle in the visitors hands with the finger, join hands to shape a circling move together.
The assistant follows the visitor to the door, asks them to sit down in a wheel chair and put on a blindfold, and then takes them on a journey into the theatre. Or through space and time.
Being blindfolded in a wheelchair you quickly loose track of time and space. Smells, touch, taste, choreographed lights and sounds help create an image of travelling through space.
The chair stops. Someone takes your hands, makes the circling entangling moves, and then invites you to rise out of the wheel chair. They dance with you, and you don’t know for how long or how many they are. Then they put a rope in your hand, and by gently pulling it they make you follow into the next room where the Astrolob is waiting.
“We’re both particle and wave at the same time. We can’t simultaneously know the exact position and the exact speed of something.When you love, when you dance, when you look deeply into someones eyes; do you know exactly where you end, and the other begins?”
Your blindfold comes off. You’re standing before a cloud chamber. While watching the collisions and decaying of the particles the Astrolob shows you the properties of the various particles, talks about how a particle can borrow energy from itself or the surroundings to get out of a trap (quantum tunneling) before it’s time to leave again.
Wait alone in the photon sphere, with the remnants of the cockpit of the Aniara. Listen to the log message recorded by the pilot Isagel, when she saw the red shifting lights and realized the Aniara was crossing the event horizon.
Then the Poetissa comes to lead you to the event horizon.
You’re in a seemingly endless dark space, with a few stars shining in the faraway. The Poetissa gives you a broken glass foot to look at the stars through, to show that there is a black hole. Then you continue forward. The Poetissa gives you a blindfold to put on, and once again your are pushed into the unknown.
Without words you’re helped up on a platform, you stand as you’re pushed through space and time, around you sounds of white noise and pulses, and then suddenly things turn still and quiet.
Somebody takes your hand, you step off the platform, again the entangling circle, and when your blindfold is taken off you’re standing infront of an ancient starmap. Someone says “welcome”, you turn around and this someone invites you to sit down and have a raspberry while she tells you about how misunderstood black holes are. They don’t swallow things; things fall into them. They’re not the end of everything; they help new stars to form, and they push out jet streams and radiation too.
You’re offered to pick a piece of paper out of a silver bowl. If the paper tells a way out, you need to leave. If the paper tells you to stay, you have to stay.
On the paper it says a quantum phenomenon or astrophysical phenomenon such as quantum tunnling, quantum teleportation or a white wormhole, and you may use one of these phenomenons to leave.
But before leaving you can also push out jetstreams. When blowing at the starmap light appears, and new stars form.
The character shows you the way out; a tunnel of light leading up a staircase, and ending in front of a door, saying
“I can’t promise that you’ll come back to the same world as you left, or that you won’t. But I can promise you that the world won’t be exactly as when you left it.”
Passing through the door you come back to the bar lounge, and report by going to the barmaid and making the entanglement-movement with the hands.
Afterwards you can hang around, have a talk with the researchers, check out the Galaxy Zoo, or just contemplate the experience.